* intuitive graphic editors, attractive design * multitimbral with 8 parts under VST 2.0 number of voices is CPU-dependent * a gigantic bandwidth of organic and expressive sounds * semi-modular Synthesizer with different synthesis procedures As the envelope-editor represents several envelopes among one another, its progresses can precisely be tuned on each other aswell as on a rhythmic screen. The envelopes can be looped and retriggered in order to produce cyclic rhythms or never-itself-repeating sound movements. Absynth offers more than a dozen graphic envelopes with respectively up to 68 bases. That makes Absynth's LFOs especially simply and multilaterally. The LFO-waveforms can be drawn freely and shapes become as desired. Per voice, six oscillators, four filters, three ringmodulators, a waveshaper and a delay-processor stand to the decree - next to extensive graphic modulation possibilities. Absynth's semi-modular draft lets you easily combine subtractive sound analysis, amplitude-modulation, frequency-modulation and ringmodulation as well as waveshaping. One can form LFO waves with the mouse by drawing them. Morphing percussion-loops, physical-modelling-sounds and steadily changing sound landscapes are itself the result. Thanks to an extremely flexible envelope control, one can produce more than 'only' sounds therewith. The Absynth is a Synthesizer with a semi-modular architecture. Working with this Synth can lead one getting addicted in using it's inscrutable athmospheric, fat and endlessly morphable sounds, which are sometimes quite perverse (in the best sense!). This software synthesizer is a really extraordinary one! It's the name suggests it by hinting at the drink 'Absinth', which can cause halluzinations.

Make absynth vst bigger